- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
As Davidson settles into the routines of the early phase of her solo trek, she reflects on how fickle and confusing the tracks in the outback can be. Just about any kind of path left by a vehicle can be a track, and their representations on maps often turn out to be inaccurate. Tracks are both a crucial resource in Davidson’s journey, but they can also be a liability when they are misleading or incomplete.
Here, Davidson’s reflections on tracks and their pitfalls mirror her changing understanding of the role that other forms of external order, like maps and clocks…