- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
Yolland insists that they preserve the name Tobair Vree in the Name-Book and says that is what “Roland” wants, too. Already frustrated by Yolland’s repeated romanticizing of the Irish language, Owen finally confronts Yolland about misnaming him. In Act 1, Owen was nonchalant about being called Roland, telling Manus that it did not matter because he was the same man regardless of what he was called. In this moment, however, Owen contradicts that earlier statement and affirms that names do, in fact, matter, and are a meaningful way to define and assert identity. The implications of this realization will eventually…