- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
In this passage, Ngũgĩ expounds upon the nature of Mr. Howlands’s supposed connection to the land he stole from Ngotho’s family. For Mr. Howlands, this farm is like a “god”—a mentality that at first glance resembles Ngotho’s spiritual connection to the earth. However, it’s worth noting that Mr. Howlands does nothing to worship the land. In fact, he believes he “created” and “tamed” this stretch of earth. As such, readers see that his claim that the farm is his “god” is rather flawed, since he feels a strange sense of ownership over it and thus positions himself as a god…