- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
Friend has clearly adopted the style of a teenager to aid in his manipulation of Connie. At this stage in the story Connie is aware of some discrepancies in Friend’s appearance, but she has yet to decide what precisely these discrepancies mean. That she notices his muscles hints at her burgeoning sexuality, but also at the disturbing act that, however powerful Connie thinks she is because of her good looks, Friend is physically much stronger. Additionally, while she likes the way he is dressed, she also notes that his boots are “scuffed” and his shirt is “soiled.” The fact that…