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He imagined the furry body of the moth against the pads of Hooper's fingers. He was ashamed of being so afraid, and could not help it, he only wanted to get out, to stop having to see the terrible moths. Hooper watched him. There was a moment when they both stood, quite still, waiting. Then, Hooper whipped around and pushed past Kingshaw without warning he was out of the door, turning the key sharply in the lock. After a moment, his footsteps went away down the hall. A door closed somewhere.

Explanation and Analysis:

In this passage, Edmund shows Charles the Red Room. Charles is, somewhat irrationally, upset by the sight of so many dead, preserved moths. He finds them disgusting, and can’t help but imagine the horrible texture of their bodies. Edmund, knowi...

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Original

Romeo

(aside) She speaks.
O, speak again, bright angel! For thou art
As glorious to this night, being o’er my head,
As is a winged messenger of heaven
Unto the white, upturnèd, wondering eyes
Of mortals that fall back to gaze on him
When he bestrides the lazy-puffing clouds
And sails upon the bosom of the air.

Juliet

O Romeo, Romeo! Wherefore art though Romeo?
Deny they father and refuse they name.
Or, if thou wilt not, be but sworn my love,
And I’ll no longer be a Capulet.

Modern

Romeo

(to himself) She speaks. Speak again, bright angel! For tonight you are as glorious, there up above me, as a winged messenger of heaven who makes mortals fall onto their backs to gaze up with awestruck eyes as he strides across the lazy clouds and sails through the air.

Juliet

O Romeo, Romeo! Why must you be Romeo? Deny your father and give up your name. Or, if you won’t change your name, just swear your love to me and I’ll give up being a Capulet.

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