And it was astonishing how the furniture, to which they had grown accustomed, suddenly, exposed on the tray of the lorry in the street, became unfamiliar and shabby and shameful. About to be moved for the last time: the gatherings of a life-time: the kitchen safe (encrusted with varnish, layer after layer of it, and paint of various colours, the wire-netting broken and clogged), the yellow kitchen table, the hatrack with the futile glass and broken hooks, the rockingchair, the fourposter (dismantled and unnoticeable), Shama’s dressingtable (standing against the cab, without its mirror, with all the drawers taken out, showing the unstained, unpolished wood inside, still, after all these years, so raw, so new), the bookcase and desk, Théophile’s bookcase, the Slumberking (a pink, intimate rose on the headrest), the glass cabinet (rescued from Mrs Tulsi’s drawingroom), the destitute’s diningtable (on its back, its legs roped around, loaded with drawers and boxes), the typewriter (still a brilliant yellow, on which Mr Biswas was going to write articles for the English and American Press, on which he had written his articles for the Ideal School, the letter to the doctor): the gatherings of a lifetime for so long scattered and even unnoticed, now all together on the tray of the lorry.