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So I thought that night, as I laid my head on the soft pillow and fell eventually into a restless, shadowy sleep, across which figures came and went, troubling me, so that once or twice I half-woke myself, as I cried out or spoke a few incoherent words, I sweated, I turned and turned about, trying to free myself from the nightmares, to escape from my own semi-conscious sense of dread and foreboding, and all the time, piercing through the surface of my dreams, came the terrified whinnying of the pony and the crying and calling of that child over and over, while I stood, helpless in the mist, my feet held fast, my body pulled back, and while behind me, though I could not see, only sense her dark presence, hovered the woman.

Explanation and Analysis:

At this point in the narrative, Arthur has spent an afternoon and evening at Eel Marsh House and at last discovered its horrors. In addition to the haunting specter of the terrifying woman in black, there is another ghostly mystery that unsettl...

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Original

Romeo

(aside) She speaks.
O, speak again, bright angel! For thou art
As glorious to this night, being o’er my head,
As is a winged messenger of heaven
Unto the white, upturnèd, wondering eyes
Of mortals that fall back to gaze on him
When he bestrides the lazy-puffing clouds
And sails upon the bosom of the air.

Juliet

O Romeo, Romeo! Wherefore art though Romeo?
Deny they father and refuse they name.
Or, if thou wilt not, be but sworn my love,
And I’ll no longer be a Capulet.

Modern

Romeo

(to himself) She speaks. Speak again, bright angel! For tonight you are as glorious, there up above me, as a winged messenger of heaven who makes mortals fall onto their backs to gaze up with awestruck eyes as he strides across the lazy clouds and sails through the air.

Juliet

O Romeo, Romeo! Why must you be Romeo? Deny your father and give up your name. Or, if you won’t change your name, just swear your love to me and I’ll give up being a Capulet.

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