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Every moment happens twice: inside and outside, and they are two different histories. Archie does recognize the name, faintly, somewhere inside, but he is already twisting in his seat by then, trying to see if Samad is returning. He can’t see Samad. Instead he spots Millat, who looks funny. Who looks decidedly funny. Peculiar rather than ha-ha. He’s swaying ever so slightly in his seat, and Archie can’t catch his eye for a you-all-right-mate look because his eyes are locked on to something and when Archie follows the path of this stare, he finds himself looking at the same peculiar thing: an old man weeping tiny tears of pride. Red tears. Tears Archie recognizes.

Explanation and Analysis:

Archie realizes that Marcus Chalfen’s mentor is Dr. Perret, a.k.a. “Dr. Sick,” the Nazi doctor who he let escape at the end of World War II after deciding not to kill him, based on the outcome of a coin flip. Dr. Perret has recognizable “red te...

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Original

Romeo

(aside) She speaks.
O, speak again, bright angel! For thou art
As glorious to this night, being o’er my head,
As is a winged messenger of heaven
Unto the white, upturnèd, wondering eyes
Of mortals that fall back to gaze on him
When he bestrides the lazy-puffing clouds
And sails upon the bosom of the air.

Juliet

O Romeo, Romeo! Wherefore art though Romeo?
Deny they father and refuse they name.
Or, if thou wilt not, be but sworn my love,
And I’ll no longer be a Capulet.

Modern

Romeo

(to himself) She speaks. Speak again, bright angel! For tonight you are as glorious, there up above me, as a winged messenger of heaven who makes mortals fall onto their backs to gaze up with awestruck eyes as he strides across the lazy clouds and sails through the air.

Juliet

O Romeo, Romeo! Why must you be Romeo? Deny your father and give up your name. Or, if you won’t change your name, just swear your love to me and I’ll give up being a Capulet.

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