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The first two boats were filled with privates. They had been packed in, and now were being tossed ashore, like so much cordwood. Most of them were pathetically good and patient, but he saw an officer strike a man who was screaming.

Johnny’s hands clenched. ‘It is just as James Otis said,’ he thought. ‘We are fighting, partly, for just that. Because a man is a private is no reason he should be treated like cordwood.’

Explanation and Analysis:

Johnny, impersonating a British private, is preparing to sneak across the river to Charlestown. He’s watching the British unload their wounded after the day’s battles.

Once again, seeing the British soldiers’ casual cruelty toward their...

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Original

Romeo

(aside) She speaks.
O, speak again, bright angel! For thou art
As glorious to this night, being o’er my head,
As is a winged messenger of heaven
Unto the white, upturnèd, wondering eyes
Of mortals that fall back to gaze on him
When he bestrides the lazy-puffing clouds
And sails upon the bosom of the air.

Juliet

O Romeo, Romeo! Wherefore art though Romeo?
Deny they father and refuse they name.
Or, if thou wilt not, be but sworn my love,
And I’ll no longer be a Capulet.

Modern

Romeo

(to himself) She speaks. Speak again, bright angel! For tonight you are as glorious, there up above me, as a winged messenger of heaven who makes mortals fall onto their backs to gaze up with awestruck eyes as he strides across the lazy clouds and sails through the air.

Juliet

O Romeo, Romeo! Why must you be Romeo? Deny your father and give up your name. Or, if you won’t change your name, just swear your love to me and I’ll give up being a Capulet.

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