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Get our analysis for all 6 key poetic devices in Night Funeral in Harlem,
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  • Repetition

    The poem uses several different kinds of repetition to create emphasis and feeling.

    The most obvious form of repetition is the refrain "Night funeral / In Harlem," which appears at the beginning of the poem and then repeats throughout. This particular repetition reminds the reader that this isn't just any funeral, but a funeral happening in Harlem. When this poem was written, Harlem was known for being the center of Black intellectual and cultural life. It was a predominantly Black area of New York City, and the poem is an homage to a particularly Black experience. The repetition of the refrain might even suggest that this funeral for a young, penniless, and beloved Black person is an all-too-familiar event.

    The poem also uses diacope, such as in lines 11-16, with the repetition of "flowers":

    Who was it sent
    That wreath of flowers?

    Them flowers came
    from that poor boy's friends—
    They'll want flowers, too,
    When they meet their ends.

    Here, repetition draws attention to a particular word, which in this case acts as a symbol for the love and respect the dead boy's friends feel for him.

    Lines 19-22 use polyptoton to similar effect:

    Who preached that
    Black boy to his grave?

    Old preacher man
    Preached that boy away—

    Here, repetitions create an effect almost like a folksong, evoking a sense of tradition and community.

    The poem also uses epizeuxis in line 38 with the repetition of "so dear, so dear." The repetition here has an emotional impact; the emphasis on how much the boy was loved takes precedence over everything else going on in the poem for just a moment, alerting the reader that what all these funereal traditions really come down to is love for the deceased.

    The poem uses several different kinds of repetition to create emphasis and feeling.

    The most obvious form of repetition is the refrain "Night funeral / In Harlem," which appears at the beginning of the poem and then repeats throughout. This particular repetition reminds the reader that this isn't just any funeral, but a funeral happening in Harlem. When this poem was written, Harlem was known for being the center of Black intellectual and cultural life. It was a predominantly Black area of New York City, and the poem is an homage to a particularly Black experience. The repetition of the refrain might even suggest that this funeral for a young, penniless, and beloved Black person is an all-too-familiar event.

    The poem also uses diacope, such as in lines 11-16, with the repetition of "flowers":

    Who was it sent
    That wreath of flowers?

    Them flowers came
    from that poor boy's friends—
    They'll want flowers, too,
    When they meet their ends.

    Here, repetition draws attention to a particular word, which in this case acts as a symbol for the love and respect the dead boy's friends feel for him.

    Lines 19-22 use polyptoton to similar effect:

    Who preached that
    Black boy to his grave?

    Old preacher man
    Preached that boy away—

    Here, repetitions create an effect almost like a folksong, evoking a sense of tradition and community.

    The poem also uses epizeuxis in line 38 with the repetition of "so dear, so dear." The repetition here has an emotional impact; the emphasis on how much the boy was loved takes precedence over everything else going on in the poem for just a moment, alerting the reader that what all these funereal traditions really come down to is love for the deceased.

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Original
Romeo
(aside) She speaks.
O, speak again, bright angel! For thou art
As glorious to this night, being o’er my head,
As is a winged messenger of heaven
Unto the white, upturnèd, wondering eyes
Of mortals that fall back to gaze on him
When he bestrides the lazy-puffing clouds
And sails upon the bosom of the air.
Juliet
O Romeo, Romeo! Wherefore art though Romeo?
Deny they father and refuse they name.
Or, if thou wilt not, be but sworn my love,
And I’ll no longer be a Capulet.
Modern
Romeo
(to himself) She speaks. Speak again, bright angel! For tonight you are as glorious, there up above me, as a winged messenger of heaven who makes mortals fall onto their backs to gaze up with awestruck eyes as he strides across the lazy clouds and sails through the air.
Juliet
O Romeo, Romeo! Why must you be Romeo? Deny your father and give up your name. Or, if you won’t change your name, just swear your love to me and I’ll give up being a Capulet.
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