Ulysses

Ulysses

by

James Joyce

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Episode 1: Telemachus Quotes

Stately, plump Buck Mulligan came from the stairhead, bearing a bowl of lather on which a mirror and a razor lay crossed. A yellow dressinggown, ungirdled, was sustained gently behind him on the mild morning air. He held the bowl aloft and intoned:
Introibo ad altare Dei.
Halted, he peered down the dark winding stairs and called out coarsely:
—Come up, Kinch! Come up, you fearful jesuit!

Related Characters: Malachi (“Buck”) Mulligan (speaker), Stephen Dedalus
Page Number: 3
Explanation and Analysis:

In a dream, silently, she had come to him, her wasted body within its loose graveclothes giving off an odour of wax and rosewood, her breath, bent over him with mute secret words, faint odour of wetted ashes.
Her glazing eyes, staring out of death, to shake and bend my soul. On me alone. The ghostcandle to light her agony. Ghostly light on the tortured face. Her hoarse loud breath rattling in horror, while all prayed on their knees. Her eyes on me to strike me down. Liliata rutilantium te confessorum turma circumdet: iubilantium te virginum chorus excipiat.
Ghoul! Chewer of corpses!
No, mother! Let me be and let me live.

Related Characters: Stephen Dedalus (speaker), May Goulding Dedalus, Malachi (“Buck”) Mulligan
Page Number: 9
Explanation and Analysis:

I will not sleep here tonight. Home also I cannot go.
A voice, sweettoned and sustained, called to him from the sea. Turning the curve he waved his hand. It called again. A sleek brown head, a seal’s, far out on the water, round.
Usurper.

Related Characters: Stephen Dedalus (speaker), Haines, Malachi (“Buck”) Mulligan
Related Symbols: Keys
Page Number: 19
Explanation and Analysis:
Episode 2: Nestor Quotes

—History, Stephen said, is a nightmare from which I am trying to awake.
From the playfield the boys raised a shout. A whirring whistle: goal. What if that nightmare gave you a back kick?
—The ways of the Creator are not our ways, Mr Deasy said. All human history moves towards one great goal, the manifestation of God.
Stephen jerked his thumb towards the window, saying:
—That is God.
Hooray! Ay! Whrrwhee!
—What? Mr Deasy asked.
—A shout in the street, Stephen answered, shrugging his shoulders.

Related Characters: Stephen Dedalus (speaker), Garrett Deasy (speaker)
Page Number: 28
Explanation and Analysis:
Episode 3: Proteus Quotes

Ineluctable modality of the visible: at least that if no more, thought through my eyes.

Related Characters: Stephen Dedalus (speaker)
Page Number: 31
Explanation and Analysis:

The cords of all link back, strandentwining cable of all flesh. That is why mystic monks. Will you be as gods? Gaze in your omphalos. Hello. Kinch here. Put me on to Edenville. Aleph, alpha: nought, nought, one.
Spouse and helpmate of Adam Kadmon: Heva, naked Eve. She had no navel. Gaze. Belly without blemish, bulging big, a buckler of taut vellum, no, whiteheaped corn, orient and immortal, standing from everlasting to everlasting. Womb of sin.

Related Characters: Stephen Dedalus (speaker), Florence MacCabe
Page Number: 31-32
Explanation and Analysis:

After he woke me last night same dream or was it? Wait. Open hallway. Street of harlots. Remember. Haroun al Raschid. I am almosting it. That man led me, spoke. I was not afraid. The melon he had he held against my face. Smiled: creamfruit smell. That was the rule, said. In. Come. Red carpet spread. You will see who.

Related Characters: Stephen Dedalus (speaker), Leopold Bloom
Page Number: 39
Explanation and Analysis:
Episode 4: Calypso Quotes

—Here, she said. What does that mean?
He leaned downward and read near her polished thumbnail.
—Metempsychosis?
—Yes. Who’s he when he’s at home?
—Metempsychosis, he said, frowning. It’s Greek: from the Greek. That means the transmigration of souls.
—O, rocks! she said. Tell us in plain words.

Related Characters: Leopold Bloom (speaker), Marion (“Molly”) Bloom (speaker)
Page Number: 52
Explanation and Analysis:
Episode 6: Hades Quotes

White horses with white frontlet plumes came round the Rotunda corner, galloping. A tiny coffin flashed by. In a hurry to bury. A mourning coach. Unmarried. Black for the married. Piebald for bachelors. Dun for a nun.
—Sad, Martin Cunningham said. A child.
A dwarf’s face, mauve and wrinkled like little Rudy’s was. Dwarf’s body, weak as putty, in a whitelined deal box. Burial friendly society pays. Penny a week for a sod of turf. Our. Little. Beggar. Baby. Meant nothing. Mistake of nature. If it’s healthy it’s from the mother. If not from the man. Better luck next time.
—Poor little thing, Mr Dedalus said. It’s well out of it.
The carriage climbed more slowly the hill of Rutland square. Rattle his bones. Over the stones. Only a pauper. Nobody owns.
—In the midst of life, Martin Cunningham said.
—But the worst of all, Mr Power said, is the man who takes his own life.

Related Characters: Martin Cunningham (speaker), Simon Dedalus (speaker), Jack Power (speaker), Leopold Bloom, Rudolf Bloom, Sr., Patrick (“Paddy”) Dignam, Sr.
Page Number: 79
Explanation and Analysis:
Episode 8: Lestrygonians Quotes

His smile faded as he walked, a heavy cloud hiding the sun slowly, shadowing Trinity’s surly front. Trams passed one another, ingoing, outgoing, clanging. Useless words. Things go on same, day after day: squads of police marching out, back: trams in, out. Those two loonies mooching about. Dignam carted off. Mina Purefoy swollen belly on a bed groaning to have a child tugged out of her. One born every second somewhere. Other dying every second.
[…]
Cityful passing away, other cityful coming, passing away too: other coming on, passing on. Houses, lines of houses, streets, miles of pavements, piledup bricks, stones. Changing hands. This owner, that. Landlord never dies they say. Other steps into his shoes when he gets his notice to quit. They buy the place up with gold and still they have all the gold. Swindle in it somewhere. Piled up in cities, worn away age after age. Pyramids in sand.
[…]
No-one is anything.

Related Characters: Leopold Bloom (speaker), Patrick (“Paddy”) Dignam, Sr., Mina Purefoy
Page Number: 134-135
Explanation and Analysis:
Episode 9: Scylla and Charybdis Quotes

—Our young Irish bards, John Eglinton censured, have yet to create a figure which the world will set beside Saxon Shakespeare’s Hamlet though I admire him, as old Ben did, on this side idolatry.

Related Characters: John Eglinton (William Magee) (speaker), Stephen Dedalus, Richard Best, William Lyster, William Shakespeare
Page Number: 152
Explanation and Analysis:

—As we, or mother Dana, weave and unweave our bodies, Stephen said, from day to day, their molecules shuttled to and fro, so does the artist weave and unweave his image. And as the mole on my right breast is where it was when I was born, though all my body has been woven of new stuff time after time, so through the ghost of the unquiet father the image of the unliving son looks forth. In the intense instant of imagination, when the mind, Shelley says, is a fading coal, that which I was is that which I am and that which in possibility I may come to be. So in the future, the sister of the past, I may see myself as I sit here now but by reflection from that which then I shall be.

Related Characters: Stephen Dedalus (speaker), Richard Best, John Eglinton (William Magee), William Lyster, William Shakespeare
Page Number: 159-160
Explanation and Analysis:

Fatherhood, in the sense of conscious begetting, is unknown to man. It is a mystical estate, an apostolic succession, from only begetter to only begotten. On that mystery and not on the madonna which the cunning Italian intellect flung to the mob of Europe the church is founded and founded irremovably because founded, like the world, macro and microcosm, upon the void. Upon incertitude, upon unlikelihood. Amor matris, subjective and objective genitive, may be the only true thing in life. Paternity may be a legal fiction. Who is the father of any son that any son should love him or he any son?

Related Characters: Stephen Dedalus (speaker), Richard Best, John Eglinton (William Magee), William Lyster, William Shakespeare
Page Number: 170-171
Explanation and Analysis:
Episode 11: Sirens Quotes

Bronze by gold heard the hoofirons, steelyringing.
Imperthnthn thnthnthn.
Chips, picking chips off rocky thumbnail, chips.
Horrid! And gold flushed more.
A husky fifenote blew.
Blew. Blue bloom is on the.
Goldpinnacled hair.
A jumping rose on satiny breast of satin, rose of Castile.
Trilling, trilling: Idolores.
Peep! Who’s in the … peepofgold?
Tink cried to bronze in pity.
And a call, pure, long and throbbing. Longindying call.
Decoy. Soft word. But look: the bright stars fade. Notes chirruping answer.
O rose! Castile. The morn is breaking.
Jingle jingle jaunted jingling.
[…]
Done.
Begin!

Related Characters: Leopold Bloom, Hugh (“Blazes”) Boylan, Martha Clifford, Simon Dedalus, Ben Dollard, Lydia Douce, Mina Kennedy, Matt Lenehan, Pat
Related Symbols: Jingling
Page Number: 210-211
Explanation and Analysis:
Episode 12: Cyclops Quotes

The figure seated on a large boulder at the foot of a round tower was that of a broadshouldered deepchested stronglimbed frankeyed redhaired freelyfreckled shaggybearded widemouthed largenosed longheaded deepvoiced barekneed brawnyhanded hairylegged ruddyfaced sinewyarmed hero. From shoulder to shoulder he measured several ells and his rocklike mountainous knees were covered, as was likewise the rest of his body wherever visible, with a strong growth of tawny prickly hair in hue and toughness similar to the mountain gorse (Ulex Europeus). The widewinged nostrils, from which bristles of the same tawny hue projected, were of such capaciousness that within their cavernous obscurity the fieldlark might easily have lodged her nest. The eyes in which a tear and a smile strove ever for the mastery were of the dimensions of a goodsized cauliflower.

Related Characters: The Citizen
Page Number: 243
Explanation and Analysis:

—I’m talking about injustice, says Bloom.
—Right, says John Wyse. Stand up to it then with force like men.
[…]
—But it’s no use, says he. Force, hatred, history, all that. That’s not life for men and women, insult and hatred. And everybody knows that it’s the very opposite of that that is really life.
—What? says Alf.
—Love, says Bloom. I mean the opposite of hatred.

Related Characters: Leopold Bloom (speaker), Alf Bergan (speaker), John Wyse Nolan (speaker), The Citizen, The Narrator of Episode 12
Page Number: 273
Explanation and Analysis:
Episode 13: Nausicaa Quotes

Yes, it was her he was looking at, and there was meaning in his look. His eyes burned into her as though they would search her through and through, read her very soul. Wonderful eyes they were, superbly expressive, but could you trust them? People were so queer. […] Here was that of which she had so often dreamed. It was he who mattered and there was joy on her face because she wanted him because she felt instinctively that he was like no-one else. The very heart of the girlwoman went out to him, her dreamhusband, because she knew on the instant it was him.

Related Characters: Gerty MacDowell (speaker), Leopold Bloom
Page Number: 293-294
Explanation and Analysis:

And she saw a long Roman candle going up over the trees, up, up, and, in the tense hush, they were all breathless with excitement as it went higher and higher […] it went so high it went out of sight a moment and she was trembling in every limb from being bent so far back that he had a full view high up above her knee […] O! then the Roman candle burst and it was like a sigh of O! and everyone cried O! O! in raptures and it gushed out of it a stream of rain gold hair threads and they shed and ah! they were all greeny dewy stars falling with golden, O so lovely, O, soft, sweet, soft!

Related Characters: Leopold Bloom, Jacky Caffrey, Gerty MacDowell
Page Number: 300
Explanation and Analysis:
Episode 14: Oxen of the Sun Quotes

Deshil Holles Eamus. Deshil Holles Eamus. Deshil Holles Eamus.
Send us bright one, light one, Horhorn, quickening and wombfruit. Send us bright one, light one, Horhorn, quickening and wombfruit. Send us bright one, light one, Horhorn, quickening and wombfruit.
Hoopsa boyaboy hoopsa! Hoopsa boyaboy hoopsa! Hoopsa boyaboy hoopsa!
Universally that person’s acumen is esteemed very little perceptive concerning whatsoever matters are being held as most profitably by mortals with sapience endowed to be studied who is ignorant of that which the most in doctrine erudite and certainly by reason of that in them high mind’s ornament deserving of veneration constantly maintain when by general consent they affirm that other circumstances being equal by no exterior splendour is the prosperity of a nation more efficaciously asserted than by the measure of how far forward may have progressed the tribute of its solicitude for that proliferent continuance which of evils the original if it be absent when fortunately present constitutes the certain sign of omnipollent nature’s incorrupted benefaction.

Related Characters: Mina Purefoy
Page Number: 314
Explanation and Analysis:

But was young Boasthard’s fear vanquished by Calmer’s words? No, for he had in his bosom a spike named Bitterness which could not by words be done away. […] Heard he then in that clap the voice of the god Bringforth or, what Calmer said, a hubbub of Phenomenon? Heard? Why, he could not but hear unless he had plugged him up the tube Understanding (which he had not done). For through that tube he saw that he was in the land of Phenomenon where he must for a certain one day die as he was like the rest too a passing show. And would he not accept to die like the rest and pass away? By no means would he though he must.

Related Characters: Leopold Bloom, Stephen Dedalus, Frank (“Punch”) Costello, Matt Lenehan, Vincent Lynch, William Madden
Page Number: 323-324
Explanation and Analysis:
Episode 15: Circe Quotes

THE CRIER: (loudly) Whereas Leopold Bloom of no fixed abode is a wellknown dynamitard, forger, bigamist, bawd and cuckold and a public nuisance to the citizens of Dublin and whereas at this commission of assizes the most honourable …

Related Characters: Leopold Bloom
Page Number: 384
Explanation and Analysis:

STEPHEN: Here’s another for you. (he frowns) The reason is because the fundamental and the dominant are separated by the greatest possible interval which …
THE CAP: Which? Finish. You can’t.
STEPHEN: (with an effort) Interval which. Is the greatest possible ellipse. Consistent with. The ultimate return. The octave. Which.
THE CAP: Which?
(Outside the gramophone begins to blare The Holy City.)
STEPHEN: (abruptly) What went forth to the ends of the world to traverse not itself, God, the sun, Shakespeare, a commercial traveller, having itself traversed in reality itself becomes that self. Wait a moment. Wait a second. Damn that fellow’s noise in the street. Self which it itself was ineluctably preconditioned to become. Ecco!

Related Characters: Stephen Dedalus (speaker), Vincent Lynch (speaker), Leopold Bloom, William Shakespeare
Page Number: 411-412
Explanation and Analysis:

BLOOM: (mumbles) Awaiting your further orders we remain, gentlemen,…
BELLO: (with a hard basilisk stare, in a baritone voice) Hound of dishonour!
BLOOM: (infatuated) Empress!
BELLO: (his heavy cheekchops sagging) Adorer of the adulterous rump!
BLOOM: (plaintively) Hugeness!
BELLO: Dungdevourer!
BLOOM: (with sinews semiflexed) Magmagnificence!
BELLO: Down! (he taps her on the shoulder with his fan) Incline feet forward! Slide left foot one pace back! You will fall. You are falling. On the hands down!
BLOOM: (her eyes upturned in the sign of admiration, closing, yaps) Truffles!
(With a piercing epileptic cry she sinks on all fours, grunting, snuffling, rooting at his feet: then lies, shamming dead, with eyes shut tight, trembling eyelids, bowed upon the ground in the attitude of most excellent master.)

Related Characters: Leopold Bloom (speaker), Bella Cohen (speaker)
Page Number: 432-433
Explanation and Analysis:

STEPHEN: (eagerly) Tell me the word, mother, if you know now. The word known to all men.

Related Characters: Stephen Dedalus (speaker), May Goulding Dedalus
Page Number: 474
Explanation and Analysis:

STEPHEN: Non serviam!
[…]
(He lifts his ashplant high with both hands and smashes the chandelier. Time’s livid final flame leaps and, in the following darkness, ruin of all space, shattered glass and toppling masonry.)

Related Characters: Stephen Dedalus (speaker), May Goulding Dedalus
Related Symbols: Ashplant
Page Number: 475
Explanation and Analysis:

(Against the dark wall a figure appears slowly, a fairy boy of eleven, a changeling, kidnapped, dressed in an Eton suit with glass shoes and a little bronze helmet, holding a book in his hand. He reads from right to left inaudibly, smiling, kissing the page.)
BLOOM: (wonderstruck, calls inaudibly) Rudy!
RUDY: (gazes, unseeing, into Bloom’s eyes and goes on reading, kissing, smiling. He has a delicate mauve face. On his suit he has diamond and ruby buttons. In his free left hand he holds a slim ivory cane with a violet bowknot. A white lambkin peeps out of his waistcoat pocket.)

Related Characters: Leopold Bloom (speaker), Stephen Dedalus, Rudolf Bloom, Jr.
Page Number: 497
Explanation and Analysis:
Episode 17: Ithaca Quotes

What reflection concerning the irregular sequence of dates 1884, 1885, 1886, 1888, 1892, 1893, 1904 did Bloom make before their arrival at their destination?
He reflected that the progressive extension of the field of individual development and experience was regressively accompanied by a restriction of the converse domain of interindividual relations.

As in what ways?
From inexistence to existence he came to many and was as one received: existence with existence he was with any as any with any: from existence to nonexistence gone he would be by all as none perceived.

Related Characters: Leopold Bloom
Page Number: 545
Explanation and Analysis:

What reason did Stephen give for declining Bloom’s offer?
That he was hydrophobe, hating partial contact by immersion or total by submersion in cold water, (his last bath having taken place in the month of October of the preceding year), disliking the aqueous substances of glass and crystal, distrusting aquacities of thought and language.

What impeded Bloom from giving Stephen counsels of hygiene and prophylactic to which should be added suggestions concerning a preliminary wetting of the head and contraction of the muscles with rapid splashing of the face and neck and thoracic and epigastric region in case of sea or river bathing, the parts of the human anatomy most sensitive to cold being the nape, stomach and thenar or sole of foot?
The incompatibility of aquacity with the erratic originality of genius.

Related Characters: Leopold Bloom, Stephen Dedalus
Page Number: 550
Explanation and Analysis:

What was Stephen’s auditive sensation?
He heard in a profound ancient male unfamiliar melody the accumulation of the past.

What was Bloom’s visual sensation?
He saw in a quick young male familiar form the predestination of a future.

What were Stephen’s and Bloom’s quasisimultaneous volitional quasisensations of concealed identities?
Visually, Stephen’s: The traditional figure of hypostasis, depicted by Johannes Damascenus, Lentulus Romanus and Epiphanius Monachus as leucodermic, sesquipedalian with winedark hair.
Auditively, Bloom’s: The traditional accent of the ecstasy of catastrophe.

Related Characters: Leopold Bloom, Stephen Dedalus
Page Number: 565
Explanation and Analysis:

His (Bloom’s) logical conclusion, having weighed the matter and allowing for possible error?
That it was not a heaventree, not a heavengrot, not a heavenbeast, not a heavenman. That it was a Utopia, there being no known method from the known to the unknown.

Related Characters: Leopold Bloom
Page Number: 575
Explanation and Analysis:

He kissed the plump mellow yellow smellow melons of her rump, on each plump melonous hemisphere, in their mellow yellow furrow, with obscure prolonged provocative melonsmellonous osculation.

Related Characters: Leopold Bloom, Marion (“Molly”) Bloom
Page Number: 604
Explanation and Analysis:
Episode 18: Penelope Quotes

Supposing I risked having another not off him though still if he was married Im sure hed have a fine strong child but I dont know Poldy has more spunk in him yes thatd be awfully jolly

Related Characters: Marion (“Molly”) Bloom (speaker), Leopold Bloom, Hugh (“Blazes”) Boylan
Page Number: 611
Explanation and Analysis:

I thought to myself afterwards it must be real love if a man gives up his life for her that way for nothing I suppose there are a few men like that left its hard to believe in it though unless it really happened to me the majority of them with not a particle of love in their natures to find two people like that nowadays full up of each other that would feel the same way as you do theyre usually a bit foolish in the head his father must have been a bit queer to go and poison himself after her still poor old man I suppose he felt lost

Related Characters: Marion (“Molly”) Bloom (speaker), Leopold Bloom, Ellen Bloom, Millicent (“Milly”) Bloom, Rudolf Bloom, Sr.
Page Number: 631
Explanation and Analysis:

Im sure hes very distinguished Id like to meet a man like that God not those other ruck besides hes young those fine young men I could see down in Margate strand bathingplace from the side of the rock standing up in the sun naked like a God or something and then plunging into the sea with them why arent all men like that thered be some consolation for a woman like that lovely little statue he bought I could look at him all day long curly head and his shoulders his finger up for you to listen theres real beauty and poetry for you I often felt I wanted to kiss him all over

Related Characters: Marion (“Molly”) Bloom (speaker), Stephen Dedalus
Page Number: 637-638
Explanation and Analysis:

I was a Flower of the mountain yes when I put the rose in my hair like the Andalusian girls used or shall I wear a red yes and how he kissed me under the Moorish wall and I thought well as well him as another and then I asked him with my eyes to ask again yes and then he asked me would I yes to say yes my mountain flower and first I put my arms around him yes and drew him down to me so he could feel my breasts all perfume yes and his heart was going like mad and yes I said yes I will Yes.

Related Characters: Marion (“Molly”) Bloom (speaker), Leopold Bloom, Lieutenant Mulvey
Page Number: 643-644
Explanation and Analysis:
No matches.