- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
The idea of a "curse," and the related idea of a "mark" or "stain," are central to the text. The reader becomes aware of Dracula's presence through physical traces - that one character seems pale, or that another has bite marks on her throat. Dracula steals the soul, the essence of a person (and also violates them in an almost sexual manner), and in doing this, he leaves unmistakeable marks on that person's body. These traces are the clues by which the scientific mind can work to find Dracula. And even though Dracula is a cunning villain, he can nevertheless…