- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
In this section, Kira begins to see that the Guardians aren't as trustworthy as they've seemed. Kira is an orphan, brought to live with the Guardians shortly after her mother's death. The same is true of Jo and Thomas: their parents were mysteriously killed, after which they came to make art for the Ruin Ceremony. Kira realizes the truth: the Guardians are probably responsible for their parents' deaths. Recognizing that art is extremely important to the community, the Guardians have killed villagers in order to control their children.
Kira's realization suggests that art—far from being useless, as she'd previously been…