- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
Much of this volume is taken up with detailed, carefully depicted descriptions of the barricade and the fighting within it. At the most recent moment of fighting, Gavroche has been killed, and Enjolras has remarked that Valjean (though no one knows who he is) is managing to fight well without killing anyone. Now the narrator pauses for a more abstract description of these barricades. He depicts them here almost as another feature of Parisian life, among the many sociological categories, neighborhoods, and historical and architectural features that he has pointed our attention to before. He implies here that barricades, long…