- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
In the final chapter of the book, Anna Funder writes about the sudden rise of museums in German following the fall of the Berlin Wall. There’s a Berlin Wall museum, a Stasi museum, and many other institutions presenting the history of the East German state. From Funder’s perspective, there’s something fundamentally wrong about museums of this kind. She argues that museums present history as being, metaphorically speaking, “behind glass”—as something that happened a long time ago, without any real relevance to the present day. Funder disagrees that East German history should be put behind glass—in Stasiland, she shows how…