- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
In this passage, Leah Price paints a tragic picture of life in the Price household. Nathan is the only man at home, but he's also in charge—and he has a rigid, sexist view of domestic life. The result is that whenever his wife or daughters do anything wrong, he's quick to yell at them or even hit them for their "sins of womanhood." Leah, her mother, and her siblings must join together to protect themselves from Nathan—and yet at this point, Leah still admires and loves her father greatly.
The passage closes with an interesting analogy; Nathan's faith, it's implied…