- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
As Meursault's lawyer had expected, the prosecutor has continued to emphasize the coldness of Meursault's attitude as he buried his mother, the lack of feeling that he showed at her death, in order to convince the jury of how callous and unfeeling he is as a person. Here, the lawyer attempts to expose the irrelevance of Maman's burial, how silly it is to unite two disparate events. Indeed, this is the way that Meursault considers events as well, as distinct units irrelevant to each other, without any meaningful narrative able to emerge from them.
However, this is not the way…