As A Square describes the way that women are compelled to behave in public, Abbott satirizes the ridiculous hoops of propriety that Victorian women were forced to jump through:

In some of the States there is an additional Law forbidding Females, under penalty of death, from walking or standing in any public place without moving their backs constantly from right to left so as to indicate their presence to those behind them; [...]But it has been found by the wisest of our Circles or Statesmen that the multiplication of restrictions on Females tends not only to the debilitation and diminution of the race, but also to the increase of domestic murders to such an extent that a State loses more than it gains by a too prohibitive Code.

The satire in this passage is clear, but it’s centrally located in the description of the absurd law that forces female shapes to move in a certain way—“constantly from right to left”—to advertise their presence. The idea that some “Females” would face the “penalty of death” for not walking in a certain way is an analogy for the rigid societal controls and expectations placed on women during the Victorian era. By presenting this ludicrous scenario as a factual truth from A Square’s perspective, the author sharply criticizes the myriad of hoops that women had to jump through simply to exist in 19th century society. Although there were no specific laws dictating how they walked in the real world, this “Law” points out how arbitrary and oppressive other standards for women’s behavior were in Abbott’s time.

Abbott amplifies this by using hyperbole to exaggerate the consequences of these societal restrictions. Although A Square does think “Females” are dangerous and unstable, he also believes that regulating them too much might be the cause of “increased domestic murder.” By making the absurd claim that laws like the ones dictating women’s bodily movements lead to the "debilitation and diminution of the race" and an "increase in domestic murders," Abbott further underlines how deeply rooted prejudices against women were in his time. Women already have almost no rights in Flatland: removing more of them, according to A Square, would just push these already volatile shapes over the edge. This exaggeration is not just for effect or to add humor, although it is meant to be funny. It also sheds light on the real and often overlooked consequences of societal oppression and of ignoring women’s rights to autonomy.