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You know well that the early Christians thought of Christ as a shepherd […] And then in the Eastern Church one finds the long nose, the curly hair, the black bear. All this was creating an oriental Christ. As for the medieval artists, many of them painted a face of Christ resplendent with the authority of a king.

Explanation and Analysis:

Before their departure to Japan, Rodrigues reflects on the various portrayals of Christ’s face across cultures and history. Though the image of Christ’s face functions as a symbol to represent Rodrigues’s changing perception of the person of Ch...

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Original

Romeo

(aside) She speaks.
O, speak again, bright angel! For thou art
As glorious to this night, being o’er my head,
As is a winged messenger of heaven
Unto the white, upturnèd, wondering eyes
Of mortals that fall back to gaze on him
When he bestrides the lazy-puffing clouds
And sails upon the bosom of the air.

Juliet

O Romeo, Romeo! Wherefore art though Romeo?
Deny they father and refuse they name.
Or, if thou wilt not, be but sworn my love,
And I’ll no longer be a Capulet.

Modern

Romeo

(to himself) She speaks. Speak again, bright angel! For tonight you are as glorious, there up above me, as a winged messenger of heaven who makes mortals fall onto their backs to gaze up with awestruck eyes as he strides across the lazy clouds and sails through the air.

Juliet

O Romeo, Romeo! Why must you be Romeo? Deny your father and give up your name. Or, if you won’t change your name, just swear your love to me and I’ll give up being a Capulet.

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