Shakespeare's style in All's Well That Ends Well, as in most of his other plays, is marked by its complexity, wit, wordplay, and attention to detail. The play contains a blend of formal and vernacular language, which ground the dialogue in its time period and add depth and richness to the dialogue. Shakespeare's intricate and sometimes convoluted syntax creates a vivid and realistic portrayal of situations and emotions, allowing the audience to immerse themselves in the intricacies of the characters' experiences. All’s Well That Ends Well contains a mixture of prose (unrhymed dialogue) and verse. The noble characters in the play often speak in iambic pentameter, while the lower-class characters typically speak without much ornamentation or rhythm. Shakespeare also makes a lot of use of rhyming couplets, particularly at the end of scenes when things need wrapping up.
One notable aspect of Shakespeare's style in this play is his intense focus on the development of character. Each character has nuanced motivations and desires, and no one is merely good or merely bad. Characters also change and evolve over time, allowing the audience to follow their development and making them seem more real than they would otherwise. The play delves deeply into profound themes like love, honor, and the complexities of human relationships and adult sexuality. Shakespeare challenges the notion of easy categorization, reminding his audience that life is complicated and that people’s motivations aren’t always obvious.
The playwright’s use of wordplay, allusions, and paradoxes is also a notable feature of his style in All’s Well That Ends Well: almost everything has a double meaning, and the dialogue is dense with metaphor. The play also contains a lot of letters and messages. These are often mis-delivered or misinterpreted, leading to dramatic irony and misunderstanding. It’s sometimes hard to remember who knows what in this play, which is one reason why it’s not widely considered to be among Shakespeare’s most accomplished works.
