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Yorick's Skull Symbol Analysis

Yorick's Skull Symbol Icon
Hamlet is not a very symbolic play. In fact, the only object that one can easily pick out as a symbol in the play is the skull of Yorick, a former court jester, which Hamlet finds with Horatio in the graveyard near Elsinore in Act 5, scene 1. As Hamlet picks up the skull and both talks to the deceased Yorick and to Horatio about the skull, it becomes clear that the skull represents the inevitability of death. But what is perhaps most interesting about the skull as a symbol is that, while in most plays, a symbol means one thing to the audience and another to the characters in the novel or play, in Hamlet it is Hamlet himself who recognizes and explains the symbolism of Yorick's skull. Even this symbol serves to emphasize Hamlet's power as a character: he is as sophisticated as his audience.

Yorick's Skull Quotes in Hamlet

The Hamlet quotes below all refer to the symbol of Yorick's Skull. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Action and Inaction Theme Icon
). Note: all page and citation info for the quotes below refers to the Simon & Schuster edition of Hamlet published in 1992.
Act 5, scene 1 Quotes
Alas! poor Yorick. I knew him, Horatio; a fellow of infinite jest.... Where be your gibes now? your gambols? your songs? your flashes of merriment, that were wont to set the table on a roar?
Related Characters: Hamlet (speaker), Horatio, Yorick
Related Symbols: Yorick's Skull
Page Number: 5.1.190-198
Explanation and Analysis:

As Hamlet speaks to the gravediggers, he comes across a skull and learns it is from the court jester Yorick. This shock causes Hamlet to wonder about the distance between Yorick’s behavior in life and his current decaying state.

This passage mixes Hamlet’s characteristic philosophical rumination with an intense dark humor. He offers a series of apostrophe-questions addressed to Yorick, which point out how the dead man will remain ever unable to respond. And the jocular disposition of Yorick reiterates the lack of humor in the current situation. Thus Hamlet is able to take a positive set of terms—“jest,” “gibes,” “gambols,” “songs,” and “merriment”—and turn them all into bleak descriptions of what has been lost. The lines recall his earlier description of how man’s nobility only served to cover an essence of dust. Yet here it is not only great deeds that fade into non-existence, but even small moments of laughter. Shakespeare thus channels the grave scene to point out how the most impressive accomplishments—be they the creation of kingdoms or of “infinite jest”—ultimately end in an empty and absent skull.


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