Rosencrantz and Guildenstern Are Dead

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Rosencrantz and Guildenstern Are Dead Themes

Themes and Colors
Death Theme Icon
Individual Identity Theme Icon
Free Will Theme Icon
The World's Absurdity Theme Icon
The Theater Theme Icon
LitCharts assigns a color and icon to each theme in Rosencrantz and Guildenstern Are Dead, which you can use to track the themes throughout the work.

The odds of the coin toss that opens Act One – an 100-long streak of "heads" – at first seem impossible, the sure sign of a make-believe world. Yet, as the play goes on, it becomes clear that there's nothing really odd about those odds: they represent the probability of human life. Death wins every time. "Life is a gamble, at terrible odds" the Player explains, "—if it was a bet you wouldn't take it."…

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Since death is inevitable, the play goes on to ask, what does one make of a single human life? What is individual identity? Though most of the characters in the play are characters appropriated from Hamlet (whose characters were in turn based on other literary historical characters), Hamlet's main characters (Hamlet, Claudius, Horatio, and Ophelia) are here greatly diluted and constantly fade in and out of sight, seeming more like representations of ghosts than…

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As the play questions the reality of individual identity, it likewise questions free will. What is it? What is choice? What is action or progress? Can one trust all the trappings and signs of existence if one knows that they'll soon be extinguished? As the play proceeds, individual decisions and actions seem more and more inconsequential, nearly equivalent to apathy and passivity. Hamlet is, famously, a play whose crisis swirls within the vortex of Hamlet's…

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As a play investigating the central, unknowable mysteries of existence – death and mortal beings' capacity for free will – Rosencrantz and Guildenstern Are Dead charts the human struggle to make sense of a universe characterized by utter randomness, harshness towards human life (the universe itself could be seen as the dramatic "bloodbath" described by the Player), and complete apathy towards the human condition. All human meaning is undermined by the meaninglessness of the environment…

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As a play written within the structure of another play (Shakespeare's Hamlet), Rosencrantz and Guildenstern Are Dead offers a complex meditation on the nature of the theater and the relationship between drama and lived human life. The play articulates a wide range of views on the theater, from a harsh critique of theater's artifice and inability to represent death (articulated by Guildenstern) to an unreflective willingness to embrace dramatic entertainment as diversion from life…

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