From the first page of Song of Solomon, it’s clear that names have enormous power. Names tell stories, record history, and build community. The name Doctor Street, for instance, celebrates Dr. Foster, the first wealthy, influential black man to live in the town. By repeating this name, the townspeople honor their hero and celebrate their race and their culture. Government officials are completely aware of the power of names — that’s why they insist…(read full theme analysis)
Song of Solomon, set between the 1930s and the 1960s, alludes to many milestones for black culture in the 20th century: the rise of the New Deal Coalition, the Civil Rights Movement, the Black Power Movement, etc. It’s no coincidence that many of these milestones are related to race and blacks’ battle with racism — Morrison’s novel is concerned with the many different forms that racism can take.
To begin with, it’s important to…(read full theme analysis)
As important as the relations between blacks and whites is to Song of Solomon, Morrison is equally interested in dramatizing the relationship between men and women.
In spite of (or even because of) the racism they endure from white culture, many black men in the story are abusive and cruel to black women. Guitar, for instance, regards women as inferior beings to men, even muttering to himself that Hagar is worthless because Milkman…(read full theme analysis)
As Morrison has written in her introduction to Song of Solomon, the novel moves from a state of no mercy to mercy. In the early chapters, we’re confronted with a cold, cruel world where even the hospital nurses aren’t very sympathetic when a man jumps off the roof. Macon is ruthless in collecting rent from his tenants, and Feather is equally stubborn in refusing to allow Milkman the child into his pool hall…(read full theme analysis)