- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
Urging James to see white Americans as his “lost, younger brothers,” Baldwin increases the likelihood that his nephew will be able to extend love to a set of people who harbor such a brazen disregard for his own wellbeing. By framing white people as “lost” and “young,” he emphasizes how pathetic it is that they feel they must debase African-Americans in order to confidently establish their own identity, rooting it firmly in a false notion of superiority. By saying, “if the word integration means anything,” Baldwin reveals his skepticism regarding the word, which white people seem to use so often…