Convenience Store Woman
by Sakaya Murata

Keiko Furukura Character Analysis

Keiko Furukura is a 36-year-old woman who has worked part-time at the same convenience store for 18 years. Though Keiko has two “normal,” loving parents and an affectionate younger sister named Mami, she has been a misfit since childhood due to her difficulty understanding unspoken social norms and her shocking yet logical way of problem-solving. After several odd incidents in childhood that lead to her school calling her mother, Keiko decides to stay quiet and simply mimic the “normal” behavior she observes around her, even if she doesn’t understand it. As a first-year college student, she gets a part-time job at a convenience store called Smile Mart and discovers that she loves it: the convenience store has a clear manual that dictates how she should behave, teaching her explicitly how to act to be a functioning part of society. Despite Keiko’s happiness at the convenience store, her sister Mami, her friend Miho, and Miho’s acquaintances criticize Keiko subtly and overtly for having a low-paying, low-status job and for demonstrating no interest in romance or reproduction. To avoid ostracism, Keiko starts a fake relationship with her misogynistic ex-coworker Shihara. Once everyone believes she is dating Shihara, however, they pressure Keiko to marry him and quit her job at the convenience store. Keiko, exhausted, quits her job—only to fall into a depression, feeling that her life has lost its meaning. She recovers only when she defies social expectations, ends her arrangement with Shihara, and resolves to get another convenience-store job.

Keiko Furukura Quotes in Convenience Store Woman

The Convenience Store Woman quotes below are all either spoken by Keiko Furukura or refer to Keiko Furukura. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Conformity vs. Happiness Theme Icon
).

Convenience Store Woman Quotes

I automatically read the customer’s minutest movements and gaze, and my body acts reflexively in response. My ears and eyes are important sensors to catch their every move and desire. Taking the utmost care not to cause the customer any discomfort by observing him or her too closely, I swiftly move my hands according to whatever signals I pick up.

Related Characters: Keiko Furukura (speaker)
Page Number and Citation: 3-4
Explanation and Analysis:

It is the start of another day, the time when the world wakes up and the cogs of society begin to move. I am one of those cogs, going round and round. I have become a functioning part of the world, rotating in the time of day called morning.

Related Characters: Keiko Furukura (speaker)
Page Number and Citation: 4
Explanation and Analysis:

Everyone was crying for the poor dead bird as they went around murdering flowers, plucking their stalks, exclaiming, “What lovely flowers! Little Mr. Budgie will definitely be pleased.” They looked so bizarre I thought they must all be out of their minds.

Related Characters: Keiko Furukura (speaker)
Page Number and Citation: 8
Explanation and Analysis:

It was fun to see all kinds of people—from university students and guys who played in bands to job-hoppers, housewives, and kids studying for their high-school diploma at night school—don the same uniform and transform into the homogenous being known as a convenience store worker. Once the day’s training was over, everyone removed their uniforms and reverted to their original state. It was like changing costumes to become a different creature.

Related Characters: Keiko Furukura (speaker)
Page Number and Citation: 16
Explanation and Analysis:

At that moment, for the first time ever, I felt I’d become a part in the machine of society. I’ve been reborn, I thought. That day, I actually became a normal cog in society.

Related Characters: Keiko Furukura (speaker)
Page Number and Citation: 19-20
Explanation and Analysis:

When I first started here, there was a detailed manual that taught me how to be a store worker, and I still don’t have a clue how to be a normal person outside that manual.

Related Characters: Keiko Furukura (speaker)
Related Symbols: Manual
Page Number and Citation: 20
Explanation and Analysis:

My present self is formed almost completely of the people around me. I am currently made up of 30 percent Mrs. Izumi, 30 percent Sugawara, 20 percent the manager, and the rest absorbed from past colleagues […] Infecting each other like this is how we maintain ourselves as human is what I think.

Related Characters: Keiko Furukura (speaker), Sugawara, The Manager , Mrs. Izumi
Page Number and Citation: 25-26 
Explanation and Analysis:

I’d never experienced sex, and I’d never even had any particular awareness of my own sexuality. I was indifferent to the whole thing and had never really given it any thought. And here was everyone taking it for granted that I must be miserable when I wasn’t. Even if I had been, though, it didn’t follow that my anguish would be the obvious type of anguish they were all talking about. But they didn’t want to think it through that far. I had the feeling I was being told they wanted to settle the matter this way because that was the easiest option for them.

Related Characters: Keiko Furukura (speaker), Satsuki, Shihara, Miho
Page Number and Citation: 37 
Explanation and Analysis:

I wished I was back in the convenience store where I was valued as a working member of staff and things weren’t as complicated as this. Once we donned our uniforms, we were all equals regardless of gender, age, or nationality—all simply store workers.

Related Characters: Keiko Furukura (speaker), Miho
Page Number and Citation: 38 
Explanation and Analysis:

“After all, things haven’t changed since the Stone Age, have they? Men go hunting and women keep the home and gather fruit and wild herbs while they wait for the men to come back. This type of work is more suited to the way women’s brains are set up.”

“Shihara, we’re in the twenty-first century! Here in the convenience store we’re not men and women. We’re all store workers.”

Related Characters: Keiko Furukura (speaker), Shihara (speaker)
Page Number and Citation: 50-51  
Explanation and Analysis:

A convenience store is a forcibly normalized environment where foreign matter is immediately eliminated.

Related Characters: Keiko Furukura (speaker), The Manager
Related Symbols: Security Camera
Page Number and Citation: 60  
Explanation and Analysis:

When you work in a convenience store, people often look down on you for working there. I find this fascinating, and I like to look them in the face when they do this to me. And as I do so I always think: that’s what a human is.

Related Characters: Keiko Furukura (speaker), Shihara, The Manager
Page Number and Citation: 65  
Explanation and Analysis:

After we hung up, I looked at myself in the mirror. I had aged since the day I’d been reborn as a convenience store worker. That didn’t bother me, except that I got tired more easily than before. I sometimes wondered what would become of me if I got too old to work here. Manager #6 had to quit his job when he hurt his back and was unable to work. To ensure that didn’t happen to me, I had to keep my body in good shape, for the sake of the store.

Related Characters: Keiko Furukura (speaker), Shihara
Page Number and Citation: 75 
Explanation and Analysis:

So that’s why I need to be cured. Unless I’m cured, normal people will expurgate me.

Finally I understood why my family had tried so hard to fix me.

Related Characters: Keiko Furukura (speaker), Miho, Shihara
Page Number and Citation: 81 
Explanation and Analysis:

“Don’t make it sound so easy! We men have it much harder than women, you know. If you’re not yet a fully fledged member of society, then it’s get a job, and if you’ve got a job, then it’s earn more money, and if you earn more money, it’s get married and have offspring. Society is continually judging us. Don’t lump me together with women. You lot have a cushy time of it[.]”

Related Characters: Shihara (speaker), Keiko Furukura
Page Number and Citation: 89 
Explanation and Analysis:

These past two weeks I’d been asked fourteen times why I wasn’t married. And twelve times why I was still working part-time. So for now I’d decide what to eliminate from my life according to what I was asked about most often […]

Deep down I wanted some kind of change. Any change, whether good or bad, would be better than the state of impasse I was in now.

Related Characters: Keiko Furukura (speaker), Shihara
Page Number and Citation: 94 
Explanation and Analysis:

So the manual for life already existed. It was just that it was already ingrained in everyone’s heads, and there wasn’t any need to put it in writing. […] If it had been that simple all along, I thought, I wish she’d given me clear instructions before, then I wouldn’t have had to go to such lengths to find out how to be normal.

Related Characters: Keiko Furukura (speaker), Shihara, Mami
Related Symbols: Manual
Page Number and Citation: 98   
Explanation and Analysis:

I looked at the screen to see a group of male customers coming in. All at once the store was busy. Tuan, the new guy who’d started only last week, was alone on the cash register, so I thought I’d better get out there right away to help.

“Hey, hey, not so fast. You can’t get away that easily!” the store manager yelled, amused.

Related Characters: Keiko Furukura (speaker), The Manager (speaker), Shihara, Tuan
Related Symbols: Security Camera
Page Number and Citation: 115 
Explanation and Analysis:

“I always did want revenge, on women who are allowed to become parasites just because they’re women. I always thought to myself that I’d be a parasite one day. That’d show them. And I’m going to be a parasite on you, Furukura, whatever it takes.”

Related Characters: Shihara (speaker), Keiko Furukura
Page Number and Citation: 123 
Explanation and Analysis:

I’d thought the rest of the staff was made up of the same cells as me, but in the current strange atmosphere a village mentality was taking over and they were fast reverting to ordinary males and females. Now only the customers still allowed me to be just a convenience store worker.

Related Characters: Keiko Furukura (speaker), The Manager , Shihara
Page Number and Citation: 128  
Explanation and Analysis:

She’s far happier thinking her sister is normal, even if she has a lot of problems, than she is having an abnormal sister for whom everything is fine. For her, normality—however messy—is far more comprehensible.

Related Characters: Keiko Furukura (speaker), Mami, Shihara
Page Number and Citation: 133  
Explanation and Analysis:

I looked at the security camera monitor out of the corner of my eye and thought to myself that I would never be shown on it again.

Related Characters: Keiko Furukura (speaker), Shihara
Related Symbols: Security Camera
Page Number and Citation: 143  
Explanation and Analysis:

Until now I had always needed to make sure I got enough sleep before work the next day. All I had to do was recall how I had to keep in shape for the sake of the convenience store and I would fall asleep right away, but now I didn’t even know why I needed to sleep at all.

Related Characters: Keiko Furukura (speaker)
Page Number and Citation: 146-147    
Explanation and Analysis:

“More than a person, I’m a convenience store worker. Even if that means I’m abnormal and can’t make a living and drop down dead, I can’t escape that fact. My very cells exist for the convenience store.”

Related Characters: Keiko Furukura (speaker), Shihara
Page Number and Citation: 161    
Explanation and Analysis:

I thought of the window in the hospital where I first saw my newborn nephew. Through the reflection a bright voice resembling mine rang out. I could distinctly feel all my cells stirring within my skin as they responded in unison to the music reverberating on the other side of the glass.

Related Characters: Keiko Furukura (speaker), Yutaro
Page Number and Citation: 163    
Explanation and Analysis:
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Keiko Furukura Character Timeline in Convenience Store Woman

The timeline below shows where the character Keiko Furukura appears in Convenience Store Woman. The colored dots and icons indicate which themes are associated with that appearance.
Convenience Store Woman
Work, Money, and Status Theme Icon
Keiko attends to the sounds of the convenience store. Hearing coins clink, she checks the register... (full context)
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Keiko senses the morning rush proceeding as ordinary. She thinks of herself as one of the... (full context)
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Keiko has trouble recalling her life before she was “reborn as a convenience store worker.” In... (full context)
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...fighting at recess, the other children are yelling for someone to stop the fight, so Keiko grabs a spade and whacks one boy in the head. She’s about to whack the... (full context)
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Keiko decides to stay quiet and copy other people. Keiko’s younger sister (Mami) and her parents... (full context)
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In 1998, shortly after Keiko matriculates into university, a Smile Mart opens near Hiiromachi Station. Keiko sees the store’s “help... (full context)
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On the store’s opening day, Keiko is astonished at how much noise the customers make. The first customer to reach Keiko’s... (full context)
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Keiko has worked for the Hiiromachi Station Smile Mart ever since. She’s now 36 years old... (full context)
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Each morning, Keiko enters the store at eight, an hour before her shift starts, buys water and food... (full context)
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...also work the day shift, but both plan to stop working at the store soon. Keiko has adapted herself to mimic primarily Mrs. Izumi, Sugawara, her manager, and a few former... (full context)
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Keiko takes Mrs. Izumi for a characteristic woman in her 30s and so copies her style—but... (full context)
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...about a worker on the night shift who didn’t show up. Their animated annoyance makes Keiko nervous, so she complains about the worker too. Mrs. Izumi laughs at how angry Keiko... (full context)
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Mrs. Izumi tells Keiko and Sugawara that they should begin their “morning practice session.” Then she tells them to... (full context)
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Keiko is off work on Fridays and Saturdays. On Friday, she visits Miho, an old classmate... (full context)
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Abruptly, Yukari asks whether Keiko is married yet and whether she’s “stuck in the same job.” When Keiko’s honest answer... (full context)
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 If Keiko wakes up early, she exits the train before her usual work stop and walks the... (full context)
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The manager tells Keiko that she’ll be working with a new employee named Shihara that day. He asks Keiko... (full context)
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Sugawara bustles in, greets Shihara, and says it’s good to have him. Keiko notices that Sugawara’s voice has become louder since the store got a loud manager and... (full context)
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 Keiko reminds Shihara to ask her if he doesn’t understand something. When Shihara snickers at the... (full context)
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 Annoyed, Keiko takes Shihara back to the drink display and demonstrates how to keep it neat. Shihara... (full context)
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When Keiko passes Sugawara, Sugawara complains that “weird” Shihara was demanding that she let him place product... (full context)
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 On Friday, Keiko goes to visit her sister Mami for the first time since her sister’s son Yutaro... (full context)
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Keiko finds other people’s intrusiveness so infuriating that she wants to hit them with shovels like... (full context)
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The next morning at the store, Keiko arrives to find a man in a ratty suit hassling other customers for dirtying the... (full context)
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The manager thanks Keiko. Mrs. Izumi, emerging from the back room, asks what happened. After the manager explains, Mrs.... (full context)
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 The manager complains that Shihara uses his cell phone at the register. Keiko expresses shock that Shihara would violate the store’s ban on employee cell phone use. The... (full context)
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...him for coming late and using his cell phone at the register, Shihara asks whether Keiko was watching him. The manager explains about the security camera and repeats the rule against... (full context)
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...leaves, Shihara suggests the man has a big ego for a “lowly convenience store manager.” Keiko knows that many people—including people who work in convenience stores—scorn convenience store workers. When people... (full context)
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Keiko asks Shihara why he came to work in the store. To her surprise, he says... (full context)
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The next Monday, Shihara is gone. When Keiko asks why, the manager explains that Shihara was fired for stalking a female customer. He... (full context)
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On Saturday, Keiko gets a call from her mother asking her to visit after Miho’s Sunday barbecue. When... (full context)
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 On Sunday, Keiko helps Miho set up the barbecue. The guests arrive and give updates about their lives.... (full context)
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 The guests all pressure Keiko to try to find a husband until Miho realizes that the meat is burning, ending... (full context)
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Yearning for the store, Keiko stops in on her way back from the barbecue. When the manager asks why she... (full context)
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When Keiko leaves the store, she notices Shihara lurking in the shadow of a nearby building. She... (full context)
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 Keiko takes Shihara to a drink bar and buys him some jasmine tea. He complains that... (full context)
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...about how hard men have it, saying nothing has changed since the Stone Age. Internally, Keiko concedes he might have a point, comparing society to the store cycling through employees. Then... (full context)
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 When Shihara splutters and claims he could never get an erection with Keiko, she says she’s not talking about erections. Just like you need to be a convenience... (full context)
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...them from sheltering him or giving him money. While Shihara rants about his “bitch” sister-in-law, Keiko asks Shihara whether he’s coming to her place or not. (full context)
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Inside the apartment, Keiko realizes that Shihara smells bad and makes him take a bath. While he bathes, she... (full context)
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Shihara is standing around in a towel when Keiko ends her call. Keiko gives him an old unisex store uniform top and some shorts.... (full context)
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When Keiko wakes up the next morning, Shihara is asleep in her apartment. He’s still there when... (full context)
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While Keiko wonders whether Shihara is angrier at her or society, Shihara admits that her cohabitation of... (full context)
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 Though Shihara’s new enthusiasm for the deal makes Keiko suspicious, she remembers Mami’s excitement and decides to do it. She agrees to house Shihara... (full context)
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Keiko soon realizes that Shihara is useful. The next time she goes to a party at... (full context)
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 Because buying food for Shihara increases Keiko’s expenditures, she asks for shifts on Fridays and Sundays. The manager praises her work ethic... (full context)
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 On the security camera monitor, Keiko sees customers enter the store. As she rushes to help new employee Tuan at the... (full context)
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Tuan notices Keiko’s frenzied activities with boxes of chicken skewers and comes to help. As Keiko explains to... (full context)
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After work, Keiko returns home to find Shihara sitting in the bathtub using his tablet. When she asks... (full context)
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Shihara, gloating, predicts that Keiko won’t be able to get rid of him now because normal people will criticize her... (full context)
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At work, Keiko is horrified by the attempts of the manager—whom she used to respect—to gossip about Shihara... (full context)
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 Keiko is horrified by the transformation of Tuan: he is beginning to act like his coworkers,... (full context)
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A month after Shihara moves into Keiko’s apartment, Mami comes over. When Mami discovers that Shihara lives in the bathroom, Keiko explains... (full context)
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 Shihara emerges from the bathroom and tells Mami that Keiko shut him in there because they’d had a fight about Shihara getting drinks with his... (full context)
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After work the next day, Keiko discovers a young woman confronting Shihara in her apartment. The woman introduces herself as Shihara’s... (full context)
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 Shihara’s sister-in-law asks what Keiko’s job is. When Keiko says that she works in a convenience store, the woman gapes... (full context)
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Shihara interjects that he and Keiko have decided that he’ll set up his online business from home until they have children.... (full context)
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Exultantly, Shihara tells Keiko that he’s “got[ten] away” because there’s no chance of them having children. Meanwhile, if Keiko... (full context)
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On Keiko’s last day at the convenience store, she arrives at 6 a.m. and watches Tuan on... (full context)
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 At the end of Keiko’s last day, Mrs. Izumi and Sugawara give her “his-and-hers chopsticks” as a wedding gift while... (full context)
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When Keiko returns home, she has no idea what to do now that she doesn’t need to... (full context)
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Keiko goes to bed but can’t get to sleep, so eventually she gets up. Now that... (full context)
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 Keiko wakes up, checks her cell phone, and realizes that it’s 2 p.m. two weeks after... (full context)
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 Shihara’s cell phone, left on the floor, rings. When Keiko answers it, Shihara’s sister-in-law starts yelling. Keiko identifies herself and explains that Shihara isn’t there.... (full context)
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After the sister-in-law hangs up, Keiko reflects happily on not having to reproduce with Shihara—the prospect of sex disgusts Keiko. Yet... (full context)
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 About a month after Keiko quits the convenience store, she has her first job interview. It’s with a temping agency.... (full context)
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 Keiko moves through the store, rearranging items according to “the store’s voice.” The girl who was... (full context)
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Keiko is further instructing the girl on how to improve the store when Shihara grabs Keiko’s... (full context)
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Keiko wants to start getting back in shape so she can work at a convenience store... (full context)