Tatyana Larin Character Analysis

From early youth she read romances,
And novels set her heart aglow;
She loved the fictions and the fancies
Of Richardson and of Rousseau.

Her husband at the time was still
Her fiancé—against her will!
For she, in spite of family feeling,
Had someone else for whom she pined—
A man whose heart and soul and mind
She found a great deal more appealing;
This Grandison was fashion’s pet,
A gambler and a guards cadet.

Time was, with grave and measured diction,
A fervent author used to show
The hero in his work of fiction
Endowed with bright perfection’s glow.
He’d furnish his beloved child—
Forever hounded and reviled—
With tender soul and manly grace,
Intelligence and handsome face.
And nursing noble passion’s rages,
The ever dauntless hero stood
Prepared to die for love of good;
And in the novel’s final pages,
Deceitful vice was made to pay
And honest virtue won the day.

I’m writing you this declaration—
What more can I in candour say?
It may be now your inclination
To scorn me and to turn away;
But if my hapless situation
Evokes some pity for my woe,
You won’t abandon me, I know.

‘You wrote to me. Do not deny it.
I’ve read your words and they evoke
My deep respect for your emotion,
Your trusting soul… and sweet devotion.
Your candour has a great appeal
And stirs in me, I won’t conceal,
Long dormant feelings, scarce remembered.
But I’ve no wish to praise you now;
Let me repay you with a vow
As artless as the one you tendered;
Hear my confession too, I plead,
And judge me both by word and deed.’

How oft have tearful poets chances
To read their works before the glances
Of those they love? Good sense declares
That no reward on earth compares.

Oh, blest is he who lives believing,
Who takes cold intellect for naught,
Who rests within the heart’s sweet places
As does a drunk in sleep’s embraces,
Or as, more tenderly I’d say,
A butterfly in blooms of May;
But wretched he who’s too far-sighted,
Whose head is never fancy-stirred,
Who hates all gestures, each warm word,
As sentiments to be derided,
Whose heart… experience has cooled
And barred from being loved … or fooled!

Tatyana (with a Russian duty
That held her heart, she knew not why)
Profoundly loved, in its cold beauty,
The Russian winter passing by:
Crisp days when sunlit hoarfrost glimmers,
The sleighs, and rosy snow that shimmers
In sunset’s glow, the murky light
That wraps about the Yuletide night.

Tatyana, in her low-cut gown,
Steps out of doors and trains a mirror
Upon the moon to bring it nearer;
But all that shows in her dark glass
Is just the trembling moon, alas….

But no, she can’t. What explanation? …
Well, she’s just promised his good friend
The next dance too. In God’s creation!
What’s this he hears? Could she intend? …
Can this be real? Scarce more than swaddler—
And turned coquette! A fickle toddler!
Already has she mastered guile,
Already learned to cheat and smile!
The blow has left poor Lensky shattered;
And cursing woman’s crooked course,
He leaves abruptly, calls for horse,
And gallops off. Now nothing mattered—
A brace of pistols and a shot
Shall instantly decide his lot.

And so, in slow but growing fashion,
my Tanya starts to understand,
More clearly now—thank God—her passion
And him for whom, by fate’s command,
She’d been condemned to feel desire:
That dangerous and sad pariah,
That work of heaven or of hell,
That angel… and proud fiend as well.
What was he then? An imitation?
An empty phantom or a joke,
A Muscovite in Harold’s cloak,
Compendium of affectation,
A lexicon of words in vogue …
Mere parody and just a rogue?

‘What can I do? Tatyana’s grown,’
Dame Larin muttered with a moan.
‘Her younger sister married neatly;
It’s time that she were settled too,
I swear I don’t know what to do;
She turns all offers down completely,
Just says: “I can’t”, then broods away,
And wanders through those woods all day.’

But roads are bad now in our nation;
Neglected bridges rot and fall;
Bedbugs and fleas at every station
Won’t let the traveller sleep at all.

The night has countless stars to light her,
And Moscow countless beauties too;
And yet the regal moon shines brighter
Than all her friends in heaven’s blue;
And she, whose beauty I admire—
But dare not bother with my lyre—
Just like the moon upon her throne,
Mid wives and maidens shines alone.
With what celestial pride she grazes
The earth she walks, in splendour dressed!
What languor fills her lovely breast!
How sensuous her wondrous gazes! …
But there, enough; have done at last:
You’ve paid your due to follies past.

‘And happiness was ours … so nearly!
It came so close! … But now my fate
Has been decreed. I may have merely
Been foolish when I failed to wait;
But mother with her lamentation
Implored me, and in resignation
(All futures seemed alike in woe)
I married…. Now I beg you, go!
I’ve faith in you and do not tremble;
I know that in your heart reside
Both honour and a manly pride.
I love you (why should I dissemble?);
But I am now another’s wife,
And I’ll be faithful all my life.’

But those to whom, as friends and brothers,
My first few stanzas I once read—
‘Some are no more, and distant… others.’
As Sadi long before us said.
Without them my Onegin’s fashioned.
And she from whom I drew, impassioned,
My fair Tatyana’s noblest trait…
Oh, much, too much you’ve stolen, Fate!
But blest is he who rightly gauges
The time to quit the feast and fly,
Who never drained life’s chalice dry,
Nor read its novel’s final pages;
But all at once for good withdrew—
As I from my Onegin do.