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Sybylla’s description of herself as a “country bumpkin” reveals that her respect for peasants does not stop her from being insecure about her own poverty. Her insecurities consistently prevent her from gaining what she wants, whether that be love or the company of cultured people. The religious and legal language of Everard “perjuring his soul” in calling her pretty raises the stakes of her unhappiness to melodramatic degrees, highlighting the irrationality of Sybylla’s teenage angst.