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Odysseus is one of several foils for Circe. An allusion to The Odyssey in Chapter 26 helps to make clear the way his character sets hers apart:
I breathed my house’s air, thick with the clean smell of herbs. I felt that pleasure the bards sing of so often: homecoming.
In my room the sheets of my wide, gold bed were fresh as they ever were. I could hear Telemachus telling his mother the story of Scylla.
Not only is homecoming a major theme in The Odyssey, but also Odysseus and Penelope's marriage bed is a major symbol of the home that awaits Odysseus at the end of his journey—no matter how long it takes him. Odysseus carved one of the bed posts out of the trunk of a standing olive tree, so that his and Penelope's house would be built around the immovable centerpiece of their bed. It symbolizes how steadfast their marriage is, even through Odysseus's decades-long absence from home (and multiple extra-marital affairs).
Circe's return to her "wide, gold bed" is an allusion to Odysseus's marriage bed. Like Odysseus, Circe spends what seems like forever trying to find her way home. Neither of them knows exactly what their home will look like when they find it, but they struggle on toward it nonetheless and make plenty of mistakes along the way. Both of them hurt people and worry about their sons. At last in this chapter, Circe returns to Aiaia and feels like she is home. As she climbs into her own bed, she even takes Odysseus's place as the third member of Penelope and Telemachus's family.
While the mention of Circe's bed helps draw a parallel between her homecoming and Odysseus's homecoming, it also draws a contrast between the two characters, their desires, and their choices. Circe's bed is not as comforting to her as it first seems, and not nearly as comforting as Odysseus's bed is to him. Gold and covered in sheets that are "ever fresh," it is a bed only a god could have. It never bears a trace of having been slept in, so it feels no different climbing into it after a long absence than after centuries of successive nights in it. Her bed reminds her of her immortal disconnection from all of the life on her island. Plants, animals, Penelope, and Telemachus will die one day, and Circe will still be here sleeping on the same sheets, "fresh as they ever were."
Circe distinguishes herself from Odysseus when she chooses to relinquish her immortality in favor of a more ordinary, mortal life. Whereas Odysseus spends his life seeking immortal glory and taking his ordinary bed at home for granted, Circe decides she would rather not miss the glory of ordinary life itself. She chooses a short lifetime of sheets that need changing over an unlimited future of mythical feats. Consequently, she lives out her days in happy obscurity. Odysseus, on the other hand, spends the last years of his life paranoid, violent, and too obsessed with his own glory to enjoy his home.












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Common Core-aligned