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Although Miss Havisham herself is already quite ghoulish company, Dickens employs one of his most corrosive satires to describe her unpleasant and sycophantic family members. When Pip visits Miss Havisham in Chapter 11, he immediately dislikes her relatives, implying that they are disingenuous and false:
There were three ladies in the room and one gentleman. Before I had been standing at the window five minutes, they somehow conveyed to me that they were all toadies and humbugs, but that each of them pretended not to know that the others were toadies and humbugs: because the admission that he or she did know it, would have made him or her out to be a toady and humbug.
A "toady" is the Victorian equivalent of a yes-man, and a humbug is someone who speaks deceptively or falsely for their own benefit. The people Pip sees in the room are, sadly, Miss Havisham's only remaining family: Sarah Pocket, Camilla, Georgina, and Raymond. Havisham is certainly nasty, but she at least presents her nastiness honestly. The same cannot be said for the visitors who throng around her attempting to win her good graces. Currying favor like this is a trope in many Victorian realist novels where money is a central concern.
These people are all entirely self-serving, like many of the frivolous minor characters in Great Expectations. They are also almost totally un-self-aware, as they "pretend not to know" that they are all "toadies and humbugs" in order to preserve their delicate self-images. Havisham's family thrives on gossip and intrigue, and they are only interested in the old woman for the money they believe she will leave behind. They all protest about which of them cares for her more, protests which, the narrator indicates to the reader, are completely untrue. Each of them seems to know this about the others. They take turns jabbing at each other's attempts to be sympathetic in some very funny exchanges of cruel one-liners. At one point, Raymond makes fun of Camilla for the "nervous jerkings" she says are a result of caring too much for others:
Camilla, my dear, it is well known that your family feelings are gradually undermining you to the extent of making one of your legs shorter than the other.
The ridiculous image of hysteria shortening one leg is an example of hyperbole. Of course, this is just Dickens making fun of Camilla's hysterical excesses, as the crew work themselves up into a frenzy. This all seems quite pointless in the end, however, as Miss Havisham herself does not buy their sickly-sweet comments. She knows they are there to try and get things from her, and accuses them in the same passage of wanting to "feast on her" after she dies.












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