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Repetition recurs as a stylistic motif in Siddhartha that highlights the titular character's fixation on enlightenment. Throughout the story, Siddhartha keeps a strict focus on spiritual satisfaction. When he goes to live with the Samanas in Chapter 2, he makes his goal very clear:
Siddhartha had a goal, a single one: to become empty—empty of thirst, empty of desire, empty of dreams, empty of joy and sorrow. To die away from himself, no longer be self, to find peace with an emptied heart, to be open to miracles in unselfed thinking: that was his goal.
Here the narrator repeats two words: "goal" and "empty." The first word reminds the reader that Siddhartha has one singular desire: to achieve enlightenment. The second takes the form of an anaphora—that is, it appears at the beginning of four dependent clauses: "empty of thirst, empty of desire, empty of dreams [.]" At this point in the story, Siddhartha wholeheartedly believes that the answer to his spiritual questions lies in the practice of asceticism, hence the emphasis on "emptiness" in relation to his goal. However, he soon discovers that he cannot achieve enlightenment through ascetic practices.
Repetition recurs in the same chapter when Siddhartha attempts to empty himself of his own identity through a process called "unselfing":
Taught by the eldest of the samanas, Siddhartha practiced unselfing [...] A heron flew over the bamboo forest—and Siddhartha took the heron into his soul, flew over forests and mountains, was a heron, ate fish, hungered heron hunger, spoke heron croaking, died heron death [...] And Siddhartha’s soul returned, was dead, was rotted, was dispersed[...]
Here Siddhartha takes a heron into his soul and the word "heron" reappears many times to underscore his focus on entering another animal's consciousness. One might expect meditation to be inspirational, or at least peaceful. But in this passage, repetition creates a monotonous rhythm that evokes the negative, unsettling feeling of unselfing. When Siddhartha's soul returns to his body, it "was dead, was rotted, was dispersed." In other words, he finds little or no fulfillment in this practice. The only thing it is good for in the long term is to show him the consequences of emptying oneself and ignoring one's own soul. Siddhartha is not at all inspired by the ways of the Samanas; in fact, their practices greatly limit his spiritual growth. Repetition appears in the first stages of his journey to express his limitation, frustration, and fixation on the incorrect paths to enlightenment.












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