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“This must be the beginning of the end,” he said, interrupting me. “The end! The great and terrible day of the Lord! When men shall call upon the mountains and the rocks to fall upon them and hide them—hide them from the face of Him that sitteth upon the throne!”

I began to understand the position. I ceased my labored reasoning, struggled to my feet, and, standing over him, laid my hand on his shoulder.

“Be a man!” said I. “You are scared out of your wits! What good is religion if it collapses under calamity? Think of what earthquakes and floods, wars and volcanoes, have done before to men! Do you think God had exempted Weybridge? He is not an insurance agent, man.”

Explanation and Analysis:

This is a conversation that the narrator and the curate engage in shortly after meeting one another. As is quite obvious, the curate is completely beside himself, cowering and scared. His viewpoint, though, is more complicated than it seems—on ...

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Original

Romeo

(aside) She speaks.
O, speak again, bright angel! For thou art
As glorious to this night, being o’er my head,
As is a winged messenger of heaven
Unto the white, upturnèd, wondering eyes
Of mortals that fall back to gaze on him
When he bestrides the lazy-puffing clouds
And sails upon the bosom of the air.

Juliet

O Romeo, Romeo! Wherefore art though Romeo?
Deny they father and refuse they name.
Or, if thou wilt not, be but sworn my love,
And I’ll no longer be a Capulet.

Modern

Romeo

(to himself) She speaks. Speak again, bright angel! For tonight you are as glorious, there up above me, as a winged messenger of heaven who makes mortals fall onto their backs to gaze up with awestruck eyes as he strides across the lazy clouds and sails through the air.

Juliet

O Romeo, Romeo! Why must you be Romeo? Deny your father and give up your name. Or, if you won’t change your name, just swear your love to me and I’ll give up being a Capulet.

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