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And Rob realized then why he liked Sistine so much. He liked her because when she saw something beautiful, the sound of her voice changed. All the words she uttered had an oof sound to them, as if she was getting punched in the stomach. The sound was in her voice when she talked about the Sistine Chapel and when she looked at the things he carved in wood. It was there when she said the poem about the tiger burning bright, and it was there when she talked about Willie May being a prophetess. Her words sounded the way all those things made him feel, as if the world, the real world, had been punched through, so that he could see something wonderful and dazzling on the other side of it.

Explanation and Analysis:

When Willie May shows Sistine Rob’s carving of Cricket, her response—a shocked and appreciative exhale—helps Rob clarify why he’s drawn to Sistine. Both he and Sistine, he realizes, see the world in the same way. It is, to both of them, a place...

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Original

Romeo

(aside) She speaks.
O, speak again, bright angel! For thou art
As glorious to this night, being o’er my head,
As is a winged messenger of heaven
Unto the white, upturnèd, wondering eyes
Of mortals that fall back to gaze on him
When he bestrides the lazy-puffing clouds
And sails upon the bosom of the air.

Juliet

O Romeo, Romeo! Wherefore art though Romeo?
Deny they father and refuse they name.
Or, if thou wilt not, be but sworn my love,
And I’ll no longer be a Capulet.

Modern

Romeo

(to himself) She speaks. Speak again, bright angel! For tonight you are as glorious, there up above me, as a winged messenger of heaven who makes mortals fall onto their backs to gaze up with awestruck eyes as he strides across the lazy clouds and sails through the air.

Juliet

O Romeo, Romeo! Why must you be Romeo? Deny your father and give up your name. Or, if you won’t change your name, just swear your love to me and I’ll give up being a Capulet.

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