- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
The chapter ends with Luis discussing some of his new political convictions, influenced by his discussions with Chente. Like Chente, Luis believes in the unity of all exploited, working-class people. It doesn’t matter, ultimately, whether people are black, Latino, white, or any other race: as long as they’re part of the downtrodden proletariat, they’re part of the same team, and should be working together. This is the “unconquerable idea” upon which Luis bases his activism. Although he celebrates his Chicano heritage, he also encourages his friends to transcend racial boundaries and unite against universal forms of corruption and cruelty.
It’s…