- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
As Marc and Yvan discuss Serge’s purpose, Yvan remains neutral in the conflict—he believes that as long as the painting makes Serge happy and isn’t doing harm to anyone, he and Marc should just let him be. But Marc insists that the painting is not just offensive but painful to him personally. Marc, however, cunningly frames his “disturbed” attitude toward the painting as personal concern for Serge—not revealing the truth behind his worry, which is that Serge has surpassed and outstripped him both financially and aesthetically. Yvan is the neutral third party, at least in this early stage of the…