- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
Eichmann can die with “great dignity,” it quickly becomes clear, not because he has solemnly accepted his fate but because he denies it at all costs. In his last moments, he remains caught up in cliché—never in his life does he reach out to reality and truly understand what he has done or been sentenced to suffer. He proclaims his atheism and appeals to religion in the same breath, somehow expecting to “meet [his audience] again” in the afterlife; his inability to come to terms with death is absurd given the amount of death he inflicted, and his flight to…