- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
Following Kernan’s happy recollection of once going to see Father Tom Burke, a popular Catholic preacher, with his Protestant friend Crofton, Kernan and his friends ponder the often violent division between Protestants and Catholics in Irish society. Power, M’Coy, and Kernan wonder if the two religious sects have more in common than either side acknowledges, but Cunningham quickly puts an end to the conversation with this statement, unequivocally declaring Catholicism the superior faith.
All of the main characters in “Grace” are Catholics, though with varying degrees of faith; Cunningham is relatively devout (even if he makes mistakes about Church doctrine)…