- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
Angela is first introduced as a somewhat out-of-touch white woman imposing on Walatowa, but this glimpse into her mind reveals the hidden depths to her character. Unlike Abel and most of the novel’s other Native American characters, Angela feels no innate connection to the natural world, including her own body. The novel largely communicates the significance of the physical world by depicting characters in harmony with it, but Angela is disgusted with the body that grounds her in that physical reality. The fact Angela’s self-loathing manifests as a disgust for her own body highlights the importance of the physical and…