- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
After Margaret and Mrs. Callaghan get into a series of fights over Margaret’s participation in a school play, Margaret spends most of her time at a friend’s house and leaves Isobel and Mrs. Callaghan alone in the house together. As Mrs. Callaghan wanders the rooms muttering to herself about her “heartless ungrateful children,” Isobel realizes that her mother is provoking her in a new way—not to anger, but to solidarity. Isobel, however, is more motivated by the pursuit of her state of grace than by her mother’s call to arms. Although the allure of grace has grown somewhat diminished, Isobel…