- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
After Asher’s controversial but highly-acclaimed exhibition, he’s summoned to the Rebbe’s office for a final time. The Rebbe sums up the difficulty that Asher’s paintings have brought on himself and the community—even though the Rebbe himself understands Asher’s artistic choices to some degree, there is no way he can explain these choices to his devout community. The Rebbe’s decision to send Asher away at first glance seems surprising, as he has always tried to support Asher’s art within religiously acceptable bounds. On the other hand, the Rebbe also ensured that Asher studied French and Russian in school, and…