- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
As one of the bouncers at the Ring, Frank, lets Bri in, he suggests that she's following in Lawless's footsteps by trying to make it in the music world. Bri's explanation to the reader illustrates the difficult position she finds herself in as Lawless's daughter. She desperately wants to make a name for herself and be recognized as an individual, something that's entirely understandable for several reasons—Bri is a teenager and coming into her individual, adult identity is a normal part of growing up, and it's also potentially true that if she did choose to lean into her dad's fame…