- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
When Mary Magna starts to die, Connie uses her power of “stepping in” to extend the old woman’s life. Though the act is one of pure love and devotion, Connie sees it as “evil” and proof of her own “weakness.” Connie’s disdain for her magical ability comes from her Catholic faith, which she learned from the nun Mary Magna. Stepping in has no negative consequences in the story; is a power that only ever helps others. However, because of its similarity to witchcraft, Connie views her power as unholy. Her hatred of her own power demonstrates that holiness and magic…