- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
Here Jünger describes his experiences of boarding with a household in a Belgian village: two women and an orphaned girl they’ve taken in. Though Jünger is largely accustomed to bombing raids by this time, he feels solidarity with the civilian household, especially with the frightened little girl. He sees this makeshift family as a symbol of a greater human impulse—the desire for a home, and for rootedness in those tangible things that remind them of their humanity. In this way, they’re rather like Jünger as he portrays himself throughout Storm of Steel: steadfast in the face of danger while also…