- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
After Meg asks him if he’s played the piano in other countries, Stanley loses himself in this monologue about his experience as a concert pianist. However, his story is difficult to fully understand and somewhat self-indulgent, as Stanley makes no effort whatsoever to explain to Meg the details she would need in order to follow along. In turn, the play puts the audience in the same position as Meg, left to piece together a disarrayed narrative with the shambles that Stanley presents. To make things even more difficult, Stanley characteristically contradicts himself as he goes along, saying—for example—that his father…