- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
As a child, Winton visits the National Gallery in Melbourne for the first time with his family, and he’s overwhelmed by the eclectic art on display there. It’s another situation in which confusion and overwhelm thrill young Winton instead of alienating him, just as Kubrick’s 2001 does. He’s attracted to the art even when it frightens him, echoing his thrill-seeking behavior in other situations.
Winton reflects on his first experience of the gallery and compares himself to Hansel from the Grimm fairy tale “Hansel and Gretel,” in which two siblings become lost in the forest and stumble upon a gingerbread…