- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
Constantia contemplates a Buddha statue on her mantelpiece as a barrel-organ player goes by the house, having realized that she and Josephine no longer need to rush outside to silence the player on behalf of their father. Constantia’s interest in the figurine of the Buddha in her apartment suggests her fascination with transcendental concepts and worlds outside of her own, such as Eastern cultures (she also daydreams often about camels in the desert). Yet she has never been allowed to access these other worlds, since her life has been bound up in errands for her father. Though she sees this…