- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
Greer, at the end of the novel, has, in a sense, achieved everything she always dreamed of—she has become a successful feminist author who has created a platform not just for herself but, hopefully, for a younger generation of feminists. Greer returns home from a big party in support of her book, Outside Voices, and considers her daughter’s babysitter, Kay, a high school student whose radical feminist views signal hope for the progression of feminist ideology and values despite the recent “big terribleness” (ostensibly the 2016 presidential election) that has threatened those values. Greer wants to somehow impart the wisdom…