- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
As the story nears its conclusion, and the old crone begins to recite her final incantation, the sun continues to set on the hollow of the three hills. However, while the hills remain lit with golden sunshine, granting them a heavenly quality, the hollow itself remains in its permanent state of darkness, which now appears to be “rising thence to overspread the world.” This single line encompasses several of the story’s core themes, as well as its key symbol of the three hills. The darkness of the hollow, which was previously established to reflect the young woman’s “blight[ed]” misery, now…