- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
One of the most surprising aspects of Narnian magic is its Talking Beasts, the creation of which is described here. After various species of animals erupt from the earth, Aslan walks among them and breathes into the nostrils of selected creatures, endowing them with the ability to think, speak, and love in something approaching a human way. He then gives these sentient beasts a special charge—to care for the animals who do not speak, without reverting to their ways. This shows that the order of things in Narnia is characterized by a certain hierarchy, but that Aslan intends for it…