- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
Cofer once again brings up the fact that her appearance is a permanent mark of difference and exclusion from belonging in mainstream culture. As she mentioned at the very beginning of the essay, she “obviously belongs to Rita Moreno’s gene pool,” which means that stereotypes of Latina women follow her wherever she goes, despite the fact that in her professional life she has defied many of those stereotypes. Such achievements, however, cannot be worn “around [her] neck” and thus do not set her apart from other Latina women in the eyes of white Americans.
Further, the “kitchen” here becomes a…