- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
After the masked ball, during which Raoul sees Christine disappear through a mirror after pitying Erik out loud and smiling to his voice, Raoul confronts Christine about her relationship with the Phantom. When he discovers that the “Angel of Music” has forbidden her to marry, he concludes that this man must be manipulating her. Instead of realizing that Erik is indeed forcing her to promise things that do not accurately reflect her desires (for example, to become Raoul’s fiancée), Christine defends Erik. Her interruption of Raoul’s speech suggests that she is just as lucid as he is but that she…